Xinyi's introduction: This is one of my original songs~ The whole song is roughly divided into three sections of ABA. In the main melody of section A, I mainly use the ring finger technique. The melody and bass alternate to create a sense of dialogue. Emotionally, it creates a Libra's tangled inner dialogue. Section B is in stark contrast to Section A. In Section B, I mainly use some dissonant harmony to create a sense of fear in the face of the unknown. The climax of the whole work also occurs in this part, using techniques such as rasegueado, arpeggio, tremolo, gliss, etc. When the climax is reached, stop suddenly and echo the beginning. The intensity marker changes from fff to p, and gradually back to segment A. The ends of the overtones are bright and clear, as if seeing the sun through the clouds.#classical guitar
It's one of my original works for guitar. The whole song is roughly divided into three ABA paragraphs. In the main melody part of paragraph A, I mainly use the technique of tremolo. Melody and bass alternate to form a sense of dialogue. Emotionally, Libra creates a tangled inner dialogue. Paragraph B is in sharp contrast to paragraph A. In part B, I mainly use some discord and sounds to create a sense of fear of facing the unknown. The climax of the whole work also appears in this part, using rasegueado, arpeggio, tremolo, Gliss and other skills. When you reach the climax, stop suddenly and echo with the beginning. The intensity marker changes from FFF to P and gradually returns to segment a. The end of the overtone is bright and clear, as if you saw the sun through the clouds# Classical guitar
It's one of my original works for guitar. The whole song is roughly divided into three ABA paragraphs. In the main melody part of paragraph A, I mainly use the technique of tremolo. Melody and bass alternate to form a sense of dialogue. Emotionally, Libra creates a tangled inner dialogue. Paragraph B is in sharp contrast to paragraph A. In part B, I mainly use some discord and sounds to create a sense of fear of facing the unknown. The climax of the whole work also appears in this part, using rasegueado, arpeggio, tremolo, Gliss and other skills. When you reach the climax, stop suddenly and echo with the beginning. The intensity marker changes from FFF to P and gradually returns to segment a. The end of the overtone is bright and clear, as if you saw the sun through the clouds# Classical guitar
Follow one's heart composed and played by Xinyi Zou
Comments
Post a Comment